Q1: In what ways
does your media product use, develop or challenge forms and conventions of real
media products?
Q2: How effective
is the combination of your main product and ancillary texts?
Q3: What have you
learned from your audience feedback?
Q4: How did you
use media technologies in the construction and research, planning and
evaluation stages?
Becca has started to draft some answers to these questions which we will use as the starting point for the production and scripting of our evaluation. Here are some our notes -
Q1: In what ways
does your media product use, develop or challenge forms and conventions of real
media products?
|
Use
|
Develop
|
Challenge
|
Music
Video
|
·
Close up shots of the singer and of the instruments at key parts in
the lyrics and certain beats of the song
·
Close ups of the actors in the narrative when emotion is shown
·
The pace of the editing always matches the song and changes on a beat
·
Mike Posner club scene – red lighting, slow motion editing
·
Eminem strangle scene – brutal and scary with her disappearing at the
end with him being alone
·
Contrast between light band shots and dark and light narrative shots
linking in with the binary opposites theory by Claude Levi-Strauss
·
Ferdinand de Saussure – the signifier and signified through the
lipstick, Laura’s clothing and the smashed mirror
·
Key moments on a beat – fast paced bit of the song and the glass
bottle smashes exactly on a beat from 2 angles
|
·
Mike Posner – slow motion club scenes – we added the sound of
tinnitus on top of this to increase the effect
·
A lot of the music videos we have looked at don’t usually start with
an establishing shot, but some do (Paramore, Now) so we have decided to
develop this and create an establishing shot without any characters or band
members in it, just a location
·
A lot of our narrative footage is very dark in order to represent the
dark and sinister feel behind our narrative but videos that we have watched
don’t normally have it quite as dark as we do but we think ours is much more
effective
·
Laura Mulvey – Visual Pleasure and the Male Gaze – Laura is presented
as powerful not passive. However, she is presented as an object of male
sexual desire and Orrin does have ‘the bearer of the look’ throughout the
video hence why he keeps going back to the drugs
|
·
Stereotypical all male band
·
Andrew Goodwin feminism – presents women as voyeuristic – Laura is
powerful
·
Black screens for a beat right at the beginning of the video
·
The music videos we have looked don’t usually have shots that are as
far away from the band as some of ours are, but we have used this as an
establishing set of shots for the band shot location
·
Another thing we noticed when analysing videos is that the band
members are normally in the narrative in some way and this is something that
we haven’t done, we have separate actors to our band members (Paramore, 30
Seconds to Mars etc.)
·
Using an outdoor location for the band shots in such bad weather
isn’t something we have really seen done either, they are all normally on a
stage or in some fancy room that has some link to the narrative – dark and
dingy
|
Digipak
|
·
Not having the band on the front cover of the digipak and having
something that relates to the key theme of the album instead
·
Including the advertising for the deluxe features that come as a
result of it being a digipak
·
Using an image on the back cover that has some space that is clearly
suitable for the track list to be placed there
|
·
A lot of examples we have looked at don’t include the band at all in
the digipak but some do, to develop this we have decided to include an edgy
image of our band on the inside left cover of the digipak to clearly state
the identity of the band somewhere on the digipak
|
·
Female band member is presented as being quite powerful and equal to
the male band members – challenges Laura Mulvey as she is not meant to be
sexualised and also challenges Andrew Goodwin as she is not presented as
voyeuristic or passive
·
A lot of the examples we have looked at have not numbered the track
list – we have decided to number ours to make it clear to the consumer exactly
how many tracks and features are on the album
|
Advert
|
·
Including key pieces of information about the item that the advert is
selling
·
Including an image of the band as the main image on the advert to
clearly show who and what is being advertised.
·
Including social media logos and website URLs to inform the consumer
about how they can follow the band and keep up to date
·
Including the disclaimer notice at the bottom
|
·
Having the band on the advert is something that is sometimes done and
other times isn’t and when they do have the band on the front, there is
usually an interesting effect on the photo making it not so clear. We have
developed this by using quite a normal image for our advert with no effects
·
|
·
Female band member is presented as being quite powerful and equal to
the male band members – challenges Laura Mulvey as she is not meant to be
sexualised and also challenges Andrew Goodwin as she is not presented as
voyeuristic or passive
·
Not using the image as the whole background – using a black frame
instead to create the contrast between dark and light.
|
Q2: How effective
is the combination of your main product and ancillary texts?
Digipak
·
Image of the smoke on the back of the digipack –
links to the drug abuse used as a key feature of the narrative in the video.
Orrin is pictured with a lighter which holds connotations of smoking etc.
·
Image of the legs standing on the hand in heels
– links to the instability and the role of a powerful female that is featured
in Laura in the video. Links to the fact that she has full control over him and
he is much weaker than her when he is high on the drugs.
·
Image of the band in an edgy looking location on
the inside left cover – this links to the band location in the video as well as
linking to the edgy and dingy looking locations that we filmed in for both the
narrative and the performance.
·
Image of the lips on the CD part – lips are red
which links to the seduction and temptation involved in the narrative. Laura is
also wearing red lipstick throughout the video which helps link the two
products together.
·
Title ‘Temptress’ – links to the element of
temptation that we have made very prominent in the video to help tell the story
of how addicted and tempted Orrin is by Laura’s presence.
Advert
·
Image of the band in a dark location – links to
all of the dark scenes that we have used in the narrative section of the music
video. Complete blackness links really well to the really dark scenes that we
have in the narrative.
·
Image of the digipak in the corner – links the
product (digipak) to the advert for it showing the consumer exactly what is
being advertised on the poster.
Q3: What have you
learned from your audience feedback?
Video
·
We got some audience feedback about the song
choice that we used right at the beginning of the process. We were stuck
between our chosen song and Warriors by Imagine Dragons so we asked our target
audience which one they preferred since the songs were of the same genre.
·
Rough Cut – once we handed in our rough cut we
spoke to our target group and got them to answer some questions about our video
at that stage to give us some specific feedback on what we could do to make our
final cut even better.
·
When we re-filmed our performance footage after
the rough cut, we were a bit unsure on the footage so we asked our target
audience what they thought and this helped us make the decision that we should
re-film it another time just to improve it even more. The feedback was very
positive and everyone we asked said that it had improved, however we wanted to
make it even better again.
Band Identity
·
We got some audience feedback about our band
logo. We had 3 choices that we were undecided on so we went to our target
audience and asked them which one they preferred out of the 3.
Q4: How did you
use media technologies in the construction and research, planning and
evaluation stages?
Research
|
·
Blogger was used to present all of the
research we collected both secondary (from the internet) and primary (target
market research).
|
Construction
|
·
Adobe Media Encoder was used to encode all of
the footage to the correct file format – Microsoft AVI, PAL DV Widescreen.
·
Adobe Premier Pro was used to edit all of the
footage together for the music video.
·
Adobe Photoshop was used to edit all of the
photos used on the digipak and advert.
·
Adobe InDesign was used to create the layout
of both the advert and the digipak.
|
Planning
|
·
Blogger was used for all of the planning that
went on behind all 3 media products as we documented everything on there.
|
Evaluation
|
·
Adobe Media Encoder was used to encode all of
the footage to the correct file format – Microsoft AVI, PAL DV Widescreen.
·
Adobe Premier Pro was used to edit all of the
footage together to form the 20 minute evaluation in the form of DVD extras.
|
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